Abstract

In times of social complexity and environmental crisis, such as the one that manifests today, a theory, a praxis, and a disposition for transdisciplinarity and dialogue, whose epistemological dimension is characterized by the multipolarity of fields of research and the interconnection of knowledge, are indispensable. Thus, this essay analyzes, in a transdisciplinary perspective, some works by the “street artist” Banksy that were reproduced in different places and reveal a concern for the common environment. These images, for reasons that will become clearer in the course of the work, are paradigmatic to try to understand both the problems of the environmental crisis experienced today and the idea of an intergenerational pact, taking both Hannah Arendt and Fritjof Capra’s thinking as the principles and rules of international environmental law and international human rights law.